Wednesday, 13 November 2013

The next step


Voting has closed for the Kobo Prize, so thank you to everyone who voted for me (and to those who didn’t, but were nice enough to read my excerpt). I’ll let you know how I get on.

Regardless of the result, I have decided I want The Bold Ship Phenomenal to see the light of day, and that if Kobo don’t do it, I will do it myself. Part of the reason is that I studied publishing at university, and have always wanted to have go at creating a beautiful book for myself. The other part is that I am very fond of the story, and would like to release it into the world. Either way, the book, or books, need to be as good and as gorgeous as they can be.

There’s a lot to think about and learn, and I’ll keep you posted as I go, in case you decide to do the same yourself (or, like me, just find it interesting).

Fortuitously, I attended an excellent workshop at the weekend with The Storybridge crew (Jocelyn Watkin and James George) on self-publishing and marketing your books online. Their tag line is “We help you to tell your own story in your own way. The Story Bridge team offers a supported pathway to new heights for storytelling and publishing”. It’s very apt and I thoroughly recommend their courses (there are more) for anyone keen to hone their skills or get support for their writing practice.

Certainly I came away from the self-publishing weekend all fired up with ideas and expectations, and armed with great tips for how to create a quality book.

Wish me luck!

Friday, 8 November 2013

Award-winning authors congregate in Waikato

Many thanks to the people at the Waikato Children’s Literature Association who hosted an inspiring seminar on new children’s writing in Hamilton last weekend. We were treated to entertaining talks by Tessa Duder Award winners Rachel Stedman (A Necklace of Soulsand Hugh Brown (Reach), and Ester Glen Award winner Rachael King (Red Rocks).

I always thoroughly enjoy listening to other writers talk, as it inevitably sparks your own creativity and provides insight into the fascinating (for authors) and multifarious process of writing.  I bought all their books (oops: so much for the budget) and will look forward to several good reading sessions over the summer.

I also attended a very good workshop with Alison Robertson, another award-winning children’s writer (Tom Fitzgibbon Award), who gave tips on adding sparkle to your writing; and was treated to a ‘conversation’ with editor Margaret Cahill (previously of Learning Media) who provided a rare perspective on the editor–author relationship from the other side of the desk. The lady in the picture, explaining the nuts and bolts of picture books, is talented illustrator Deborah Hinde of Kooky Kiwi fame.

I find this type of event invaluable, for networking, having a good blather about books and harvesting the tips of the trade. I think the Waikato needs more of them, so if you’re thinking of running one and need a hand, send me an email. I’d love to be involved.

Thankfully the Waikato Children’s Literature Association has several more planned for 2014, including their AGM in February, where I’ll be speaking alongside Hamilton writers Tamara James and Yvonne Milroy. How can I compete with an elf!  

Tuesday, 15 October 2013

Voting has started for the Kobo Prize


Voting has started for the Kobo NZ Authors E-Publishing Prize. My children’s novel, The Bold Ship Phenomenal, is one of the five novels shortlisted for the fiction category. Very exciting!

So please go online and vote for me. Here is the link: Kobo prize voting.

40 per cent of the judging is by reader voting, so your vote will make a difference. (Blimey, I sound like a politician.)

For anyone who wants a little taster, I've included the first chapter below. You can read a longer extract on the voting site.

Many thanks and I’ll keep you posted how I get on. 
The Bold Ship Phenomenal
Chapter one

The problem with life, thought Malachi as he trudged along the tide line, was science. It wasn’t the only problem, no way, but at this point it was certainly one of his biggest.
“Science sucks,” he said, booting at the sand, so that it rose and scattered before him in a damp fan.  “Science sucks.” Then again, louder and louder, until he was practically shouting it, “Science sucks, science sucks”. And to make matters worse, science was the first lesson of the day and he was already late. “Scien...”, he began again.
But then he saw the bottle and he stopped.
The bottle was propped, several meters below the tide mark, in a shallow pool left by the retreating sea. Further down the beach, the sea ssshh ssshhed as it slid onto the sand, but the pool that the bottle rested in was perfectly still, its blue-green surface cradling its glassy catch.
Normally this was exactly the sort of thing that interested Malachi. Stumbled upon treasures, jetsam and flotsam, he would scoop them up and squirrel them home to examine in the peace of his room. But today he couldn’t be bothered. Not with the way he was feeling, not after the way his day had kicked off.
He aimed another angry swipe at the sand and hoisted his bag up his back. He would have to hurry. But something about the bottle drew back his eye. Something about the way it reclined, as if it was struggling to stand upright, its top reflecting sunlight in smatters and sparks, like a miniature lighthouse on the shores of an inland sea.
Malachi dropped his bag and balanced on the pool’s edge to ease the bottle free. The bottle was large and surprisingly heavy. Slime-stained string coiled around its neck, below an orange wax bung. Grey barnacles clung on its belly and base, and its glass was coated in algae and a thick clouding of salt. 
Malachi stretched his sleeve over his hand and dipped his palm in the pool. He rubbed the bottle with the wet sleeve, trying to make a clear space in the glass. As he rubbed, the sound of the ocean filled his head. Gently at first – shh, shh, shh – then building, until the waves’ song thumped and thundered on the shore.
Startled, Malachi looked up, but the beach was quiet. The waves along the tide line had shrunk if anything, melting back into themselves before they finished their journey up the sand. Only the occasional sea bird, flying low, moved or called.
Malachi looked back down at the bottle but his rubbing had made no difference and the glass was still too murky to see inside. The bottle was certainly heavy though, as if it may be full, although when he shook it no liquid sloshed against the glass. He would have liked to take it home and clean it properly, see what was inside, but he was too late for that. Being late was Dad’s fault, but if he was any later Mrs Green would be back on the phone, back on his case, and that was the last thing he needed. Cleaning the bottle would just have to wait.
He took off his jersey and wrapped it carefully around the bottle, before clearing a space in the top of his pack. He placed the bottle in, did up the zip and eased the pack onto his back. Then, trying to keep as even a gait as possible, he jogged along the tide line, making up for lost time as he headed straight for school. 

 
 
 

Friday, 20 September 2013

Bold Ship Phenomenal shortlisted for Kobo Prize


How exciting! I have just found out that my manuscript, The Bold Ship Phenomenal, has been shortlisted for the KOBO/ NZ Authors E-Publishing Prize.

This is the first year the prize has been offered. It gives two authors the opportunity to have their unpublished manuscripts (one fiction and one non-fiction) prepared for and published in e-book format, then promoted by Kobo for sale in New Zealand.

I was actually in the process of preparing the manuscript for publication as a print and e-book (just for the fun of it, because authors can now do this) when this happened. It’s great to know that someone else thinks the story will work as an e-book. And whether I win or not, it feels like a win-win situation; now I can splash across my cover (when I have it designed) that it was shortlisted.

I’m so pleased. Writing can be a dispiriting process at times, especially when you get plenty of rejections, and publishing opportunities in New Zealand appear to be shrinking. This type of boost is exactly what writers need to keep them going.

Part of the judging process involves online reader voting, so please go online when voting opens in October, and read my excerpt. Hopefully you’ll enjoy it enough to vote for me.

Wednesday, 11 September 2013

What every author needs







Look at this. Isn’t it fantastic?

It’s a wall hanging of my picture book, Wooden Arms. A friend made it for me to use at school visits and festivals.

It’s made of fabric, with clever little pieces (cars and people and steeples and houses) that come on and off. As I read the story my audience helpers add the right bits to the backdrop.

I’ve been pleased to have it with me this month, as it’s been quite a busy one. A few weeks ago, I was at the Storylines Festival at the Aotea Centre, as one of the writers on the Kiwi Write4Kidz stall. That was fun (Storylines always is), especially as I got to catch up with some of my writing friends. And I discovered a new publisher: Book Island.

Book Island is the brain child of publisher Greet Pauwelijn who has set out to produce outstanding children’s books in English and Dutch. Judging by the books she had on display at the festival, she is going to achieve it. They were stunningly gorgeous, and interestingly had quite a different design feel than most New Zealand books.

I bought Sir Mouse to the Rescue for my son: a charming tale about a feisty female knight mouse and her dragon friend. I also put my name down to get a copy of Maia and What Matters when it is released in November, which deals with the thorny subjects of stroke and the debilitating effects of aging in a picture book. I like that: kids’ books that present the world as it is. Check out Book Island’s other books and philosophy at: www.bookisland.co.nz.

Then last week I was talking to a Raglan Area School Year 5 and 6 class about the importance of editing. I got to use my Wooden Arms hanging again, although we all got a little confused about what was supposed to come on and off when: especially as my two year old son insisted on helping. Still it was good to have it along – another way of putting a story out into the world.      

 

 

Tuesday, 13 August 2013

Great luck for Old Truck


 
Well done to Raglan illustrator Margery Fern and her author sister Jennifer Somervell whose latest picture book, Old Truck, has won two honourable mentions in the prestigious American Purple Dragonfly Book Awards.

Actually, luck has nothing to do with it, as Old Truck is a gorgeous book, with a funny story, a happy ending and fabulous colourful illustrations. All things kids love.

Old Truck is Margery (who also goes by the name O’Connell) and Jennifer’s second picture book. Like their first, The Day Dad Blew Up the Cow Shed, it tells a true tale of life on the family’s Hawke’s Bay farm. Both books are part of the 'Tales from the Farm' series that the sisters are producing, partly because that’s what they love doing, and partly to provide an historical record for kids about what it was like growing up on a farm in New Zealand in the seventies.

Future titles planned for the series include the story of a rather large eel hunt, and a tale about an amorous pig. You can check out Margery and Jennifer’s work (and find out more about their win) on their Tales from the Farm website.

I think you’ll agree they deserve the award’s recognition.

 

Wednesday, 10 July 2013

An imaginative feast at Freemans Bay School


I had a fabulous visit at Freemans Bay School last week, and I have my nephew to thank for the invite. He’s in the new entrants’ class, and when he saw my book in the school library, he pointed it out to Dale, the librarian, who kindly invited me up for the day.

I had a great time (I hope the kids did too). It is visits like these that make writing for kids truly fun. We had readings, discussions, tonnes of questions, and a lunchtime session in the library where everyone hung out, coloured in, built models and talked books.

What a great school to have fostered so many keen readers.

I also ran a couple of competitions where the kids could take the beginnings of my books and complete them in their own ways, through pictures or writing or both. The ideas that came out of those sessions, produced from cold and under time pressure, blew me away. Ideas that as a writer I would hunt and scratch and sweat to produce, just flowed.

It reminded me how naturally imaginative we all are, and how important it is to tap back into that childhood wealth of images and ideas, if you are going to produce fresh original stories. One of the purposes of an author visit is to inspire kids about books and reading, but it works the other way too. I came away feeling as if I’d have a creativity and inspiration booster shot.

So thank you Freemans Bay School. I will look forward to (hopefully) visiting again with my next book.