Voting has started for the Kobo Prize

Voting has started for the Kobo NZ Authors E-Publishing Prize. My children’s novel, The Bold Ship Phenomenal, is one of the five novels shortlisted for the fiction category. Very exciting!

So please go online and vote for me. Here is the link: Kobo prize voting.

40 per cent of the judging is by reader voting, so your vote will make a difference. (Blimey, I sound like a politician.)

For anyone who wants a little taster, I've included the first chapter below. You can read a longer extract on the voting site.

Many thanks and I’ll keep you posted how I get on. 

The Bold Ship Phenomenal

Chapter one

The problem with life, thought Malachi as he trudged along the tide line, was science. It wasn’t the only problem, no way, but at this point it was certainly one of his biggest.

“Science sucks,” he said, booting at the sand, so that it rose and scattered before him in a damp fan.  “Science sucks.” Then again, louder and louder, until he was practically shouting it, “Science sucks, science sucks”. And to make matters worse, science was the first lesson of the day and he was already late. “Scien...”, he began again.

But then he saw the bottle and he stopped.

The bottle was propped, several meters below the tide mark, in a shallow pool left by the retreating sea. Further down the beach, the sea ssshh ssshhed as it slid onto the sand, but the pool that the bottle rested in was perfectly still, its blue-green surface cradling its glassy catch.

Normally this was exactly the sort of thing that interested Malachi. Stumbled upon treasures, jetsam and flotsam, he would scoop them up and squirrel them home to examine in the peace of his room. But today he couldn’t be bothered. Not with the way he was feeling, not after the way his day had kicked off.

He aimed another angry swipe at the sand and hoisted his bag up his back. He would have to hurry. But something about the bottle drew back his eye. Something about the way it reclined, as if it was struggling to stand upright, its top reflecting sunlight in smatters and sparks, like a miniature lighthouse on the shores of an inland sea.

Malachi dropped his bag and balanced on the pool’s edge to ease the bottle free. The bottle was large and surprisingly heavy. Slime-stained string coiled around its neck, below an orange wax bung. Grey barnacles clung on its belly and base, and its glass was coated in algae and a thick clouding of salt. 

Malachi stretched his sleeve over his hand and dipped his palm in the pool. He rubbed the bottle with the wet sleeve, trying to make a clear space in the glass. As he rubbed, the sound of the ocean filled his head. Gently at first – shh, shh, shh – then building, until the waves’ song thumped and thundered on the shore.

Startled, Malachi looked up, but the beach was quiet. The waves along the tide line had shrunk if anything, melting back into themselves before they finished their journey up the sand. Only the occasional sea bird, flying low, moved or called.

Malachi looked back down at the bottle but his rubbing had made no difference and the glass was still too murky to see inside. The bottle was certainly heavy though, as if it may be full, although when he shook it no liquid sloshed against the glass. He would have liked to take it home and clean it properly, see what was inside, but he was too late for that. Being late was Dad’s fault, but if he was any later Mrs Green would be back on the phone, back on his case, and that was the last thing he needed. Cleaning the bottle would just have to wait.

He took off his jersey and wrapped it carefully around the bottle, before clearing a space in the top of his pack. He placed the bottle in, did up the zip and eased the pack onto his back. Then, trying to keep as even a gait as possible, he jogged along the tide line, making up for lost time as he headed straight for school. 

 

 

 

Bold Ship Phenomenal shortlisted for Kobo Prize

How exciting! I have just found out that my manuscript, The Bold Ship Phenomenal, has been shortlisted for the KOBO/ NZ Authors E-Publishing Prize.

This is the first year the prize has been offered. It gives two authors the opportunity to have their unpublished manuscripts (one fiction and one non-fiction) prepared for and published in e-book format, then promoted by Kobo for sale in New Zealand.

I was actually in the process of preparing the manuscript for publication as a print and e-book (just for the fun of it, because authors can now do this) when this happened. It’s great to know that someone else thinks the story will work as an e-book. And whether I win or not, it feels like a win-win situation; now I can splash across my cover (when I have it designed) that it was shortlisted.

I’m so pleased. Writing can be a dispiriting process at times, especially when you get plenty of rejections, and publishing opportunities in New Zealand appear to be shrinking. This type of boost is exactly what writers need to keep them going.

Part of the judging process involves online reader voting, so please go online when voting opens in October, and read my excerpt. Hopefully you’ll enjoy it enough to vote for me.

What every author needs

Look at this. Isn’t it fantastic?

It’s a wall hanging of my picture book, Wooden Arms. A friend made it for me to use at school visits and festivals.

It’s made of fabric, with clever little pieces (cars and people and steeples and houses) that come on and off. As I read the story my audience helpers add the right bits to the backdrop.

I’ve been pleased to have it with me this month, as it’s been quite a busy one. A few weeks ago, I was at the Storylines Festival at the Aotea Centre, as one of the writers on the Kiwi Write4Kidz stall. That was fun (Storylines always is), especially as I got to catch up with some of my writing friends. And I discovered a new publisher: Book Island.

Book Island is the brain child of publisher Greet Pauwelijn who has set out to produce outstanding children’s books in English and Dutch. Judging by the books she had on display at the festival, she is going to achieve it. They were stunningly gorgeous, and interestingly had quite a different design feel than most New Zealand books.

I bought Sir Mouse to the Rescue for my son: a charming tale about a feisty female knight mouse and her dragon friend. I also put my name down to get a copy of Maia and What Matters when it is released in November, which deals with the thorny subjects of stroke and the debilitating effects of aging in a picture book. I like that: kids’ books that present the world as it is. Check out Book Island’s other books and philosophy at: www.bookisland.co.nz.

Then last week I was talking to a Raglan Area School Year 5 and 6 class about the importance of editing. I got to use my Wooden Arms hanging again, although we all got a little confused about what was supposed to come on and off when: especially as my two year old son insisted on helping. Still it was good to have it along – another way of putting a story out into the world.      

 

 

Great luck for Old Truck

 

Well done to Raglan illustrator Margery Fern and her author sister Jennifer Somervell whose latest picture book, Old Truck, has won two honourable mentions in the prestigious American Purple Dragonfly Book Awards.

Actually, luck has nothing to do with it, as Old Truck is a gorgeous book, with a funny story, a happy ending and fabulous colourful illustrations. All things kids love.

Old Truck is Margery (who also goes by the name O’Connell) and Jennifer’s second picture book. Like their first, The Day Dad Blew Up the Cow Shed, it tells a true tale of life on the family’s Hawke’s Bay farm. Both books are part of the 'Tales from the Farm' series that the sisters are producing, partly because that’s what they love doing, and partly to provide an historical record for kids about what it was like growing up on a farm in New Zealand in the seventies.

Future titles planned for the series include the story of a rather large eel hunt, and a tale about an amorous pig. You can check out Margery and Jennifer’s work (and find out more about their win) on their Tales from the Farm website.

I think you’ll agree they deserve the award’s recognition.

 

An imaginative feast at Freemans Bay School

I had a fabulous visit at Freemans Bay School last week, and I have my nephew to thank for the invite. He’s in the new entrants’ class, and when he saw my book in the school library, he pointed it out to Dale, the librarian, who kindly invited me up for the day.

I had a great time (I hope the kids did too). It is visits like these that make writing for kids truly fun. We had readings, discussions, tonnes of questions, and a lunchtime session in the library where everyone hung out, coloured in, built models and talked books.

What a great school to have fostered so many keen readers.

I also ran a couple of competitions where the kids could take the beginnings of my books and complete them in their own ways, through pictures or writing or both. The ideas that came out of those sessions, produced from cold and under time pressure, blew me away. Ideas that as a writer I would hunt and scratch and sweat to produce, just flowed.

It reminded me how naturally imaginative we all are, and how important it is to tap back into that childhood wealth of images and ideas, if you are going to produce fresh original stories. One of the purposes of an author visit is to inspire kids about books and reading, but it works the other way too. I came away feeling as if I’d have a creativity and inspiration booster shot.

So thank you Freemans Bay School. I will look forward to (hopefully) visiting again with my next book.        

Murder at Mykenai: fantastic new book to be launched by Auckland author Cath Mayo

www.catherinemayoauthor.com

Something very exciting is happening at Alexander Park Raceway next Friday 28 June! Auckland author Cath Mayo is launching her new book – Murder at Mykenai.

 Cath is a virtual writing friend of mine. Virtual because we met during an online course on writing for children, and have stayed in touch ever since. I am so excited for her because I know how much work she has put into the book, and how she has persevered in finding the right publisher for it.

Cath is an inspiration for all writers; living proof that if you believe in your work, make it as good as it can be, and keep sending it out, then sooner or later it will find a home.  She is also a very interesting person, as when she is not being a writer, she is a luthier. Know what that is? No, I didn't either. It’s a violin restorer, which sounds pretty exciting to me; almost as exciting as being an author.

When Cath agreed to let me do this post, I sent her some questions. She’s done such a good job of answering them, that I’m going to treat this as a virtual interview of my virtual writer friend and let her answer for herself.

But first, here’s what Cath’s publishers (Walker Books Australia) say about Murder at Mykenai…

MURDER AT MYKENAI by Catherine Mayo

A voice slid like a knife into his ear. “You vermin,” it said. “In a moment you’ll be nothing, no more than a lump of dead meat. That will silence our little secret, won’t it?”

Friendship vs. Treachery in Ancient Greece, a decade before the Trojan War. Menelaos, teenage son of the assassinated High King of Greece, is skidding ever deeper into danger. Odysseus, his best friend, tries to help – but Odysseus’s great ideas have a tendency to backfire …

 

This exciting debut from new talent Catherine Mayo will delight fans of ancient Greece and mythology.

 

Sounds good, hey? Now onto the virtual interview:

Me: When did you start writing Murder at Mykenai?

Cath: Some time in 2004, so it’s had a long half-life!

Me: How long did it take?
Cath: By late 2005 I had a very flawed first draft. I gave it to a writer friend, who was so flabbergasted by my lack of an ending, she went hunting under the dining room furniture for the missing pages. Unfortunately she couldn’t find them – that would have saved me a lot of trouble!

After winning the Heartlands competition in 2006, I gave my second draft to the judge, William Taylor, who took me under his wing and mentored me and the book for much of 2007. I entered the third draft into the Tom Fitzgibbon award and was shortlisted in 2008. So I had a publishable book by then. 

Over the next five years I rewrote it in fits and starts while working on other things. The ending was proving elusive and that took most of my attention. After trying and failing to find a publisher I was awarded a New Zealand Society of Authors assessment, rewrote the ending again (not for the last time) and collected some more rejection slips. They were always very positive rejections, and contained detailed, insightful and helpful feedback.

Then, in 2012, it was accepted.  My editor at Walker Books, Nicola Robinson, is fantastic, and under her beady eye I managed finally to nail the ending!

Me: What was your inspiration for the story?
Cath: My mum read us Barbara Leonie Picard’s The Odyssey when I was really small, and I’ve been telling myself stories about Odysseus ever since. Or has he been telling me? I’m not sure anymore. I knew I wanted to write books about him for a long time now, and I realised there were some great snippets of stories embedded in The Odyssey about his teenage years.

Me: How did you feel when Walker Books accepted the manuscript?

Cath: Submitting to Walker Books Australia, my dream publisher, was a tricky and very slow process, but they have such a fantastic reputation, I was prepared to wait. When the acceptance letter came, late one night in 2012, I was alone in the house – my husband was doing a course in Arrowtown – so all I could do was run round and round the room screaming! Then I got on the phone, but he was out to dinner and I couldn’t reach him for a while, so my best writing girlfriend had to take the brunt of it in the meantime.

Me: What do you do when you’re not writing?
Cath: In my other life, I’m a violin restorer. I’ve had a workshop, where I work with other luthiers (that’s the official name for what I do), for years and years now.

I also play violin and, until I started writing, I played professionally in a number of bands, did session work for recordings and lots of TV. Music tends to happen late at night, and my best time for writing is early in the morning, so it’s good that I never tried to make them overlap. I need my eight hours sleep a night, otherwise I get crabby.

When I’m not writing or luthiering, I read, garden, walk, swim, listen to music and go fishing.

Me: What’s next on your writing agenda?
Cath: I’m polishing my second book, and I’m halfway through my third. They’re both about Odysseus too. I have lots of other ideas and half-finished projects, but these books are where my heart lies and I want to focus on them.

Murder at Mykenai is in the shops now (Walker Books Australia, 2013, ISBN 9781922077943). It’s a young adult book: Cath says it’s for readers aged 12 to 15 years. But I’ve read an early draft and I think older readers will enjoy it too, especially fans of historical fiction. I can’t wait to go to the launch, not only to get my hands on my very own copy, but because I’ll also finally get to meet my virtual friend in person.

Well done Cath! Here’s to many more successful launches to come.

Golden Yarns down south

I was at the Golden Yarns children’s writers and illustrators hui earlier this month. Held in Christchurch, it was get together for many of the main authors and illustrators working on children’s books in New Zealand. It was very exciting for someone like me to sit in the same room as these wonderfully talented people and discuss what’s happening in publishing at the moment.

In some ways it was a bit bleak, because the New Zealand publishing industry is not in a great state just now (less books are being published; authors are finding it harder to get their work accepted; many big publishers are closing shop and moving overseas). But in other ways it was very inspiring, because writers and illustrators are finding other, more creative ways to get their work out there, and many are having a lot of success (especially with self-publishing and e-books). After all, if you’re an author or illustrator and making books is what you want to do, there’s no point letting tough times stand in the way of your dreams. We still need books!

It got me thinking that maybe I should give it a go. I’ve got a manuscript that hasn’t found a home. But I still like the story, and I think kids will too. So that’s what I’m going to do. Publish my own book. And I’ll keep you updated here about how it’s going. Because that’s something else I learned; that publishing your own books is a lot of work, and they’ll be a lot of steps I need to consider and take!

But it will be fun too, and I’m excited because by Christmas I could have another lovely book to add to my site. That is, unless some fabulous publisher offers me six figures for it in the meantime. But I wouldn’t hold your breath; my odds are on the book!