Room 8 is GREAT!

Look at this wonderful blog post by the kids in Room 8 at Pukete School. Thanks guys, I had such a nice time...


Room 8 is GREAT!: Author Visit! As a part of our Inquiry into books, ...: Author Visit! As a part of our Inquiry into books, we had a visit from a New Zealand author Sarah Johnson. We read her story Wooden Arm...

 

 

Here's the picture collage they sent me afterwards. So cool!

 

Golden giveaway for International Talk Like a Pirate Day

Weigh-heigh! Tomorrow is International Talk Like a Pirate Day.

To celebrate, I'm giving away a pirate flag and a bar of gold (Old Gold that is) with every book bought from my online store over the weekend. You can get to the store through the 'Sarah's Book Shop' button on my website.

 Remember to have rum on your cornflakes!

Tui Allen has loaded this review about my book on Goodreads. Tui is an author in her own right, and our local New Zealand Society of Authors delegate, so it means a lot to me that she liked it so much. Thanks Tui.

Rollicking but Meaningful Kiwi Novel for Kids

This is a rollicking good yarn on one level but so much more than that. It has something important to say to its audience, beyond the adventure itself.
I found it un-put-down-able and read until almost midnight to finish. I'm an adult, so not even part of the target audience.
The beginning was irresistibly captivating. The romance of a ship in a bottle especially one found as flotsam (or was it jetsam perhaps? Had some power SENT that bottle to Malachi?) I was encouraged to wonder about that by the author's intriguing decision to simply reverse the usual order of those two words. Jetsam and flotsam.
The story is about Malachi and his dad who are grieving the loss of Malachi's mother. Neither are functioning to their full capacity and neither were over it yet, but Malachi reaches out for adventure and new beginnings with the help and guidance of the action that takes place among the crew of the pirate ship playing out their own story inside the bottle.
It's a story with a message of conservation. Malachi's own voyage as a stowaway on a land-based "pirate ship" takes him into a world where the prisoners he rescues are precious NZ wildlife doomed otherwise to be stolen and sold.
The story ends with powerful glimmers of hope for the future for Malachi and his dad. I love a story that shows growth in the characters as this one does. With its strong links to the sea, and its theme of the wildlife of New Zealand this is a true Kiwi story. Where else in the world do kids get to wander along an empty ocean beach on their way to school in the morning?
The book is a beautiful product. Very child-proof. I tested it. The cover design is fresh and inspiring and there is an added bonus of charming greyscale chapter-head motif drawings.
All NZ school libraries should buy multiple copies at once and it should sell internationally to give the world a glimpse of NZ.

A launch, a festival and a trio of reviews

What a week!
On Saturday I launched my latest children's book (twice) at the Word Café writers and readers festival: once for adults and once for children. Both events were wonderful.

Here's the cake that my lovely friend Zoe made for the celebrations.

 

And here's my equally lovely friend Dawn MacMillan entertaining the kids like the true professional she is.

And here's me looking very pleased with myself.

 

 

Since then my book has had three great reviews online.

• One by Tui Allen on Goodreads.
• One by Barbara Murison on her blog: Around the bookshops.
• And this one by Kaia on Amazon...

"I really recommend this book because it had a lot of describing words that made me get a picture in my mind of what was happening. I like the adventure throughout the book, it made me really exited for what happened next. I would recommend it to people who have a liking for adventure."

  

Thanks Kaia. I'm so pleased that my very first review came all the way from Sweden. The Bold Ship has already travelled a long way!

They're here...

Advance copies of my new book, The Bold Ship Phenomenal.
Are those pirates' footsteps I see beyond them?
The rest of the shipment arrives at the end of this month. Watch this space!

Conversations in self-publishing for the serially challenged 5: crunching the numbers

 

The Bold Ship Phenomenal is safely out of my hands – in China being printed – so I thought I would look at the thorny question of costs.

When I decided to publish the story myself, one of my publishing ‘values’, as it were, was that the book had to be a top-class production. This was important to me, not only because I trained in publishing, but because this was my product: I had to stand by it for as long as it endured in the world, and I wanted to be proud of it.

I’ve done my best, and with the help of all the talented professionals who’ve played their part in getting the book to this stage, I think we’ve got a great result. But of course all this help costs, and what became clear very early on (in fact, before I even started, when I did my first rough budget) is that I was unlikely to ever make any money on it. Luckily that was never one of my aims.

I’ve listed the costs I’ve incurred below, so that anyone setting out on this route can see the type of expenses involved, and where they might be able to save on costs by finding a cheaper option or doing it themselves (something I haven’t been very good at).

The figures given are rough – both to protect my suppliers’ modesty, and to reflect the range of prices I was quoted for particular tasks (which on occasion, varied widely).

This list is not the end of the expenses, there is still warehousing, and promotion, and GST and other taxes, and bad debtors (assuming I make any sales) to contend with. But these are the bulk of the up-front costs, and I hope you’ll find them useful. Figures exclude GST.

·        Editing – $600

·        Proofreading – $250

·        Illustration – $1200

·        Design – $2000

·        Printing – $4000

·        Freight – $500 (very roughly, as this part of the process is still to come)         

→Total so far = $9400, which for 1500 books, means that $6.26 per book is production costs.

For a $20 book, where the bookseller takes 40% ($8), and the distributor 25% ($5), and the GST accounts for 15% ($3), you can see the quandary.

Except that it’s not a quandary, if you want to see your book in print. And looking purely at the dollar side of things overlooks the non-monetary gains, one of which has undoubtedly been the enormous help and support I have received from all the book professionals involved: worth every cent!     

It’s a first – twice

I’ve had two pleasant surprises and two firsts in one week.

First (of the firsts) is this online listing for The Bold Ship Phenomenal on Nationwide Book Distributors website.  They’re distributing the book for me, and they’re taking trade pre-orders now.

 

The second first is The Bold Ship Phenomenal’s first review. This is what Sue Copsey says about it on her blog.

“…The Bold Ship Phenomenal, due out later this year, made me cry as I edited it. It’s not a sad book though – the make-you-cry bit is just a small part. The rest is a page-turning adventure with a ship in a bottle as its star, and a strong nature theme. It’s classically New Zealand, but everyone, everywhere will love it. Take my word for it!”

 

Thanks Sue, although I hope there wasn’t too much crying going on (it’s not meant to be sad – well just a smidgen).

So what with two surprises and confirmation that printing is underway in China, it’s been a pretty exciting week all round. The Bold Ship Phenomenal, as a book, rather than a story, is beginning to feel real.